MURALS - Revision history

Randylyon at 03:54, 10 December 2024

2024-12-10T03:54:53Z

← Older revision		Revision as of 03:54, 10 December 2024
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	Both artists were instructed to collaborate on their designs so that the paintings would be uniform in color. One painting was to represent the river aspects of the city while the other was to deal with the land. Each artist received $956 for his mural. Both murals measured 6 ft. 6 in. by 8 ft. 3 in. and were painted with oil on canvas. (4)		Both artists were instructed to collaborate on their designs so that the paintings would be uniform in color. One painting was to represent the river aspects of the city while the other was to deal with the land. Each artist received $956 for his mural. Both murals measured 6 ft. 6 in. by 8 ft. 3 in. and were painted with oil on canvas. (4)

	More controversial was the depiction of nineteenth century Dubuque in the auditorium of [[DUBUQUE SENIOR HIGH SCHOOL]]. Painted in the late 1930s by [[FERRING, Cyril\|Cyril FERRING]], the mural was condemned in the 1970s because of its portrayal of women as submissive, [[AFRICAN AMERICANS]] as slaves, white males as dominating and Native Americans as social and cultural outcasts. During a previous renovation of Lamb-Hedeman Auditorium at Senior, [[MOZENA, Edna\|Edna MOZENA]] provided funding to help restore the murals, and the Mozena family became interested in preserving them. In 2023 ~~the murals With the renovation of Senior High,~~ the murals were removed and placed in storage. (5)		More controversial was the depiction of nineteenth century Dubuque in the auditorium of [[DUBUQUE SENIOR HIGH SCHOOL]]. Painted in the late 1930s by [[FERRING, Cyril\|Cyril FERRING]], the mural was condemned in the 1970s because of its portrayal of women as submissive, [[AFRICAN AMERICANS]] as slaves, white males as dominating and Native Americans as social and cultural outcasts. During a previous renovation of Lamb-Hedeman Auditorium at Senior, [[MOZENA, Edna\|Edna MOZENA]] provided funding to help restore the murals, and the Mozena family became interested in preserving them. In 2023 the murals were removed and placed in storage. (5)

	In 1991 a new mural was unveiled in the auditorium with images in keeping with the multicultural, non-sexist policy of the [[DUBUQUE COMMUNITY SCHOOL DISTRICT]]. Created by artist Carl Homstad of Decorah, Iowa, the mural showed one scene of a construction site with workers of both sexes and including an Asian, Hispanic and Native American. The second scene depicted an office with an African American professional male speaking with a white professional woman in a wheelchair. The artist included himself in the mural as the only white male pouring coffee into a mug labeled "Save the Earth." The mural was paid for with donations collected by students from residents and the Dubuque chapter of the [[NATIONAL ASSOCIATION FOR THE ADVANCEMENT OF COLORED PEOPLE (N.A.A.C.P.)]]		In 1991 a new mural was unveiled in the auditorium with images in keeping with the multicultural, non-sexist policy of the [[DUBUQUE COMMUNITY SCHOOL DISTRICT]]. Created by artist Carl Homstad of Decorah, Iowa, the mural showed one scene of a construction site with workers of both sexes and including an Asian, Hispanic and Native American. The second scene depicted an office with an African American professional male speaking with a white professional woman in a wheelchair. The artist included himself in the mural as the only white male pouring coffee into a mug labeled "Save the Earth." The mural was paid for with donations collected by students from residents and the Dubuque chapter of the [[NATIONAL ASSOCIATION FOR THE ADVANCEMENT OF COLORED PEOPLE (N.A.A.C.P.)]]

Randylyon at 03:53, 10 December 2024

2024-12-10T03:53:54Z

← Older revision		Revision as of 03:53, 10 December 2024
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	Both artists were instructed to collaborate on their designs so that the paintings would be uniform in color. One painting was to represent the river aspects of the city while the other was to deal with the land. Each artist received $956 for his mural. Both murals measured 6 ft. 6 in. by 8 ft. 3 in. and were painted with oil on canvas. (4)		Both artists were instructed to collaborate on their designs so that the paintings would be uniform in color. One painting was to represent the river aspects of the city while the other was to deal with the land. Each artist received $956 for his mural. Both murals measured 6 ft. 6 in. by 8 ft. 3 in. and were painted with oil on canvas. (4)

	More controversial was the depiction of nineteenth century Dubuque in the auditorium of [[DUBUQUE SENIOR HIGH SCHOOL]]. Painted in the late 1930s by [[FERRING, Cyril\|Cyril FERRING]], the mural was condemned in the 1970s because of its portrayal of women as submissive, [[AFRICAN AMERICANS]] as slaves, white males as dominating and Native Americans as social and cultural outcasts. ~~These~~ murals ~~were restored by~~ the ~~extended~~ family ~~of Dr~~. ~~and Mrs. Darryl Mozena. (5)~~ With the renovation of Senior High, the murals were removed and placed in storage.		More controversial was the depiction of nineteenth century Dubuque in the auditorium of [[DUBUQUE SENIOR HIGH SCHOOL]]. Painted in the late 1930s by [[FERRING, Cyril\|Cyril FERRING]], the mural was condemned in the 1970s because of its portrayal of women as submissive, [[AFRICAN AMERICANS]] as slaves, white males as dominating and Native Americans as social and cultural outcasts. During a previous renovation of Lamb-Hedeman Auditorium at Senior, [[MOZENA, Edna\|Edna MOZENA]] provided funding to help restore the murals, and the Mozena family became interested in preserving them. In 2023 the murals With the renovation of Senior High, the murals were removed and placed in storage. (5)

	In 1991 a new mural was unveiled in the auditorium with images in keeping with the multicultural, non-sexist policy of the [[DUBUQUE COMMUNITY SCHOOL DISTRICT]]. Created by artist Carl Homstad of Decorah, Iowa, the mural showed one scene of a construction site with workers of both sexes and including an Asian, Hispanic and Native American. The second scene depicted an office with an African American professional male speaking with a white professional woman in a wheelchair. The artist included himself in the mural as the only white male pouring coffee into a mug labeled "Save the Earth." The mural was paid for with donations collected by students from residents and the Dubuque chapter of the [[NATIONAL ASSOCIATION FOR THE ADVANCEMENT OF COLORED PEOPLE (N.A.A.C.P.)]]		In 1991 a new mural was unveiled in the auditorium with images in keeping with the multicultural, non-sexist policy of the [[DUBUQUE COMMUNITY SCHOOL DISTRICT]]. Created by artist Carl Homstad of Decorah, Iowa, the mural showed one scene of a construction site with workers of both sexes and including an Asian, Hispanic and Native American. The second scene depicted an office with an African American professional male speaking with a white professional woman in a wheelchair. The artist included himself in the mural as the only white male pouring coffee into a mug labeled "Save the Earth." The mural was paid for with donations collected by students from residents and the Dubuque chapter of the [[NATIONAL ASSOCIATION FOR THE ADVANCEMENT OF COLORED PEOPLE (N.A.A.C.P.)]]
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	4. Ibid.		4. Ibid.

	5. ~~Discussion with Dr~~. ~~Darryl Mozena 1~~/2/~~2017~~		5. Kelsey, Elizabeth and Allie Hinga, "What Happened to Senior Murals?" Telegraph Herald, February 12, 2023, Online: https://www.telegraphherald.com/news/tri-state/article_a9cae8e8-a962-11ed-a3f1-d3d0cf76ed21.html

	6. New Murals of Old Dubuque," ''Telegraph Herald'', August 14, 1970, p. 8		6. New Murals of Old Dubuque," ''Telegraph Herald'', August 14, 1970, p. 8

Randylyon at 03:41, 10 December 2024

2024-12-10T03:41:23Z

← Older revision		Revision as of 03:41, 10 December 2024
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	For artists to be considered for the Federal Art Project, they had to apply for Home Relief to confirm they were impoverished and then submit samples of their work to demonstrate they were actively creating art. Once approved, an artist's stipend was $24 per week. Only a few months after the Federal Art Project was announced, more than 1100 artists were working for the WPA, many in the Mural Division, which included artists like Stuart Davis, Jackson Pollock and Arshile Gorky. (2) In 1934 during the [[GREAT DEPRESSION]], the U.S. Treasury Department, Section of Painting and Sculpture in Washington, D.C., appointed a committee to conduct competition for the painting of murals in new federal buildings. Funding for art or decoration was provided at one percent of the building's cost if construction came in under budget.		For artists to be considered for the Federal Art Project, they had to apply for Home Relief to confirm they were impoverished and then submit samples of their work to demonstrate they were actively creating art. Once approved, an artist's stipend was $24 per week. Only a few months after the Federal Art Project was announced, more than 1100 artists were working for the WPA, many in the Mural Division, which included artists like Stuart Davis, Jackson Pollock and Arshile Gorky. (2) In 1934 during the [[GREAT DEPRESSION]], the U.S. Treasury Department, Section of Painting and Sculpture in Washington, D.C., appointed a committee to conduct competition for the painting of murals in new federal buildings. Funding for art or decoration was provided at one percent of the building's cost if construction came in under budget.

	A local committee of [[BISSELL, Frederick Ezekiel\|Frederick Ezekiel BISSELL]], Dr. John K. Hancock, [[KRAJEWSKI, Casimir Ignatius\|Casimir Ignatius KRAJEWSKI]], and [[VAN DUZEE, Kate Keith\|Kate Keith VAN DUZEE]] received submissions from local artists and sent their choices to the committee in Washington for its approval. (3)		A local committee of [[BISSELL, Frederick Ezekiel\|Frederick Ezekiel BISSELL]], Dr. John K. Hancock, [[KRAJEWSKI, Casimir Ignatius\|Casimir Ignatius KRAJEWSKI]], and [[VAN DUZEE, Kate Keith\|Kate Keith VAN DUZEE]] received submissions from local artists and sent their choices to the committee in Washington, D.C. for its approval. (3)

	[[File:mural2.jpg\|250px\|thumb\|left\|Picture by William E. Bunn.]]William E. L. Bunn of Muscatine, Iowa, was awarded one of the two contracts. His work, entitled "Early Mississippi Steamboat," had as its central object the third steamboat named "Dubuque." To portray his subject correctly, Bunn consulted with [[PETERSEN, William J.\|William J. PETERSEN]].		[[File:mural2.jpg\|250px\|thumb\|left\|Picture by William E. Bunn.]]William E. L. Bunn of Muscatine, Iowa, was awarded one of the two contracts. His work, entitled "Early Mississippi Steamboat," had as its central object the third steamboat named "Dubuque." To portray his subject correctly, Bunn consulted with [[PETERSEN, William J.\|William J. PETERSEN]].

	[[File:mural1.jpg\|250px\|thumb\|left\|Picture by Bertrand Adams.]]		[[File:mural1.jpg\|250px\|thumb\|left\|Picture by Bertrand Adams.]]
	Bertrand Adams of Webster City painted "Early Settlers of Dubuque." Among the scenes included in the work ~~are~~ the grave of [[DUBUQUE, Julien\|Julien DUBUQUE]], [[SHOT TOWER]], [[LEAD]] mine, and a family waiting to cross the [[MISSISSIPPI RIVER]].		Bertrand Adams of Webster City painted "Early Settlers of Dubuque." Among the scenes included in the work were the grave of [[DUBUQUE, Julien\|Julien DUBUQUE]], the [[SHOT TOWER]], a [[LEAD]] mine, and a family waiting to cross the [[MISSISSIPPI RIVER]].

	Both artists were instructed to collaborate on their designs so that the paintings would be uniform in color. One painting was to represent the river aspects of the city while the other was to deal with the land. Each artist received $956 for his mural. Both murals measured 6 ft. 6 in. by 8 ft. 3 in. and were painted with oil on canvas. (4)		Both artists were instructed to collaborate on their designs so that the paintings would be uniform in color. One painting was to represent the river aspects of the city while the other was to deal with the land. Each artist received $956 for his mural. Both murals measured 6 ft. 6 in. by 8 ft. 3 in. and were painted with oil on canvas. (4)

	More controversial was the depiction of nineteenth century Dubuque in the auditorium of [[DUBUQUE SENIOR HIGH SCHOOL]]. Painted in the late 1930s by [[FERRING, Cyril\|Cyril FERRING]], the mural was condemned in the 1970s because of its portrayal of women as submissive, [[AFRICAN AMERICANS]] as slaves, white males as dominating and Native Americans as social and cultural outcasts. These murals were restored by the extended family of Dr. and Mrs. Darryl Mozena. (5)		More controversial was the depiction of nineteenth century Dubuque in the auditorium of [[DUBUQUE SENIOR HIGH SCHOOL]]. Painted in the late 1930s by [[FERRING, Cyril\|Cyril FERRING]], the mural was condemned in the 1970s because of its portrayal of women as submissive, [[AFRICAN AMERICANS]] as slaves, white males as dominating and Native Americans as social and cultural outcasts. These murals were restored by the extended family of Dr. and Mrs. Darryl Mozena. (5) With the renovation of Senior High, the murals were removed and placed in storage.

	In 1991 a new mural was unveiled in the auditorium with images in keeping with the multicultural, non-sexist policy of the [[DUBUQUE COMMUNITY SCHOOL DISTRICT]]. Created by artist Carl Homstad of Decorah, Iowa, the mural ~~shows~~ one scene of a construction site with workers of both sexes and including an Asian, Hispanic and Native American. The second scene ~~depicts~~ an office with an African American professional male speaking with a white professional woman in a wheelchair. The artist included himself in the mural as the only white male pouring coffee into a mug labeled "Save the Earth." The mural was paid for with donations collected by students from residents and the Dubuque chapter of the [[NATIONAL ASSOCIATION FOR THE ADVANCEMENT OF COLORED PEOPLE (N.A.A.C.P.)]]		In 1991 a new mural was unveiled in the auditorium with images in keeping with the multicultural, non-sexist policy of the [[DUBUQUE COMMUNITY SCHOOL DISTRICT]]. Created by artist Carl Homstad of Decorah, Iowa, the mural showed one scene of a construction site with workers of both sexes and including an Asian, Hispanic and Native American. The second scene depicted an office with an African American professional male speaking with a white professional woman in a wheelchair. The artist included himself in the mural as the only white male pouring coffee into a mug labeled "Save the Earth." The mural was paid for with donations collected by students from residents and the Dubuque chapter of the [[NATIONAL ASSOCIATION FOR THE ADVANCEMENT OF COLORED PEOPLE (N.A.A.C.P.)]]

	In 1970 officials of the ''Telegraph Herald'' announced that they had commissioned two murals for the newspaper's new lobby. Chosen for the project was Mrs. Richard (Zelma) Clark of Galena, Illinois. A graduate of the Chicago Art Institute, she operated an art gallery and studio in Galena and was a part-time illustrator-designer for the Duane Rice Studio in Chicago. One of the murals had as its theme the Telegraph Herald's heritage beginning with the "Du Bubuque Visitor." The mural included a large photo-reproduction of the front page of this newspaper dated May 11, 1836. Also illustrated was the Peter Smith hand press and type-case used in the era. (6)		In 1970 officials of the ''Telegraph Herald'' announced that they had commissioned two murals for the newspaper's new lobby. Chosen for the project was Mrs. Richard (Zelma) Clark of Galena, Illinois. A graduate of the Chicago Art Institute, she operated an art gallery and studio in Galena and was a part-time illustrator-designer for the Duane Rice Studio in Chicago. One of the murals had as its theme the Telegraph Herald's heritage beginning with the "Du Bubuque Visitor." The mural included a large photo-reproduction of the front page of this newspaper dated May 11, 1836. Also illustrated was the Peter Smith hand press and type-case used in the era. (6)

	The principal theme of the second mural was the [[SPRAGUE]]. Also illustrated was a nineteenth century Dubuque skyline with the ~~[[SHOT TOWER]]~~. (7)		The principal theme of the second mural was the [[SPRAGUE]]. Also illustrated was a nineteenth century Dubuque skyline with the Shot Tower. (7)

	[[File:IMG_4859.JPG\|250px\|thumb\|left\|Charging Buffalo/107 Locust/Artist-Arcy]]		[[File:IMG_4859.JPG\|250px\|thumb\|left\|Charging Buffalo/107 Locust/Artist-Arcy]]

Randylyon at 04:05, 29 December 2023

2023-12-29T04:05:03Z

← Older revision		Revision as of 04:05, 29 December 2023
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	[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]		[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]
	[[File:mural10.JPG\|250px\|thumb\|right\|Near the Historic Millwork District in an alley]]		[[File:mural10.JPG\|250px\|thumb\|right\|Near the Historic Millwork District in an alley]]
	[[File:legion2.~~PNG~~\|250px\|thumb\|left\|Painted on the American Legion building.]]		[[File:legion2.png\|250px\|thumb\|left\|Painted on the American Legion building.]]

	In the fall of 2016 Voices Productions began the Voices Mural Project, a series of murals on the sides of downtown buildings in Dubuque. Three downtown murals were completed which were planned to become the start of a larger project in 2017 which would include fifteen murals by regional and nationally known painters. Some of the murals were planned to be highly visible while others might be located in alleys. The Voices Mural Project, sponsored by Runde Auto Group and Humanities Iowa, would eventually become part of a public art walking tour. The work begun was a winner of the 2017 365INK Impact Award. (8) By the end of 2017 there were fourteen murals installed with most located in the Lower Main district. (9)		In the fall of 2016 Voices Productions began the Voices Mural Project, a series of murals on the sides of downtown buildings in Dubuque. Three downtown murals were completed which were planned to become the start of a larger project in 2017 which would include fifteen murals by regional and nationally known painters. Some of the murals were planned to be highly visible while others might be located in alleys. The Voices Mural Project, sponsored by Runde Auto Group and Humanities Iowa, would eventually become part of a public art walking tour. The work begun was a winner of the 2017 365INK Impact Award. (8) By the end of 2017 there were fourteen murals installed with most located in the Lower Main district. (9)

Randylyon at 04:04, 29 December 2023

2023-12-29T04:04:41Z

← Older revision		Revision as of 04:04, 29 December 2023
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	[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]		[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]
	[[File:mural10.JPG\|250px\|thumb\|right\|Near the Historic Millwork District in an alley]]		[[File:mural10.JPG\|250px\|thumb\|right\|Near the Historic Millwork District in an alley]]
	[[File:~~mural11~~.PNG\|250px\|thumb\|left\|Painted on the American Legion building.]]		[[File:legion2.PNG\|250px\|thumb\|left\|Painted on the American Legion building.]]

	In the fall of 2016 Voices Productions began the Voices Mural Project, a series of murals on the sides of downtown buildings in Dubuque. Three downtown murals were completed which were planned to become the start of a larger project in 2017 which would include fifteen murals by regional and nationally known painters. Some of the murals were planned to be highly visible while others might be located in alleys. The Voices Mural Project, sponsored by Runde Auto Group and Humanities Iowa, would eventually become part of a public art walking tour. The work begun was a winner of the 2017 365INK Impact Award. (8) By the end of 2017 there were fourteen murals installed with most located in the Lower Main district. (9)		In the fall of 2016 Voices Productions began the Voices Mural Project, a series of murals on the sides of downtown buildings in Dubuque. Three downtown murals were completed which were planned to become the start of a larger project in 2017 which would include fifteen murals by regional and nationally known painters. Some of the murals were planned to be highly visible while others might be located in alleys. The Voices Mural Project, sponsored by Runde Auto Group and Humanities Iowa, would eventually become part of a public art walking tour. The work begun was a winner of the 2017 365INK Impact Award. (8) By the end of 2017 there were fourteen murals installed with most located in the Lower Main district. (9)

Randylyon at 04:02, 29 December 2023

2023-12-29T04:02:50Z

← Older revision		Revision as of 04:02, 29 December 2023
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	[[File:mural8.JPG\|250px\|thumb\|right\|Alley at the south end of the Historic Millwork District]]		[[File:mural8.JPG\|250px\|thumb\|right\|Alley at the south end of the Historic Millwork District]]
	[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]		[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]
	[[File:mural10.JPG\|250px\|thumb\|~~left~~\|Near the Historic Millwork District in an alley]]		[[File:mural10.JPG\|250px\|thumb\|right\|Near the Historic Millwork District in an alley]]
	[[File:mural11.PNG\|250px\|thumb\|left\|Painted on the American Legion building.]]		[[File:mural11.PNG\|250px\|thumb\|left\|Painted on the American Legion building.]]

Randylyon at 04:00, 29 December 2023

2023-12-29T04:00:49Z

← Older revision		Revision as of 04:00, 29 December 2023
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	[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]		[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]
	[[File:mural10.JPG\|250px\|thumb\|left\|Near the Historic Millwork District in an alley]]		[[File:mural10.JPG\|250px\|thumb\|left\|Near the Historic Millwork District in an alley]]
			[[File:mural11.PNG\|250px\|thumb\|left\|Painted on the American Legion building.]]

	In the fall of 2016 Voices Productions began the Voices Mural Project, a series of murals on the sides of downtown buildings in Dubuque. Three downtown murals were completed which were planned to become the start of a larger project in 2017 which would include fifteen murals by regional and nationally known painters. Some of the murals were planned to be highly visible while others might be located in alleys. The Voices Mural Project, sponsored by Runde Auto Group and Humanities Iowa, would eventually become part of a public art walking tour. The work begun was a winner of the 2017 365INK Impact Award. (8) By the end of 2017 there were fourteen murals installed with most located in the Lower Main district. (9)		In the fall of 2016 Voices Productions began the Voices Mural Project, a series of murals on the sides of downtown buildings in Dubuque. Three downtown murals were completed which were planned to become the start of a larger project in 2017 which would include fifteen murals by regional and nationally known painters. Some of the murals were planned to be highly visible while others might be located in alleys. The Voices Mural Project, sponsored by Runde Auto Group and Humanities Iowa, would eventually become part of a public art walking tour. The work begun was a winner of the 2017 365INK Impact Award. (8) By the end of 2017 there were fourteen murals installed with most located in the Lower Main district. (9)

Randylyon at 19:22, 6 October 2023

2023-10-06T19:22:44Z

← Older revision		Revision as of 19:22, 6 October 2023
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	[[File:ginsburg.png\|250px\|thumb\|right\|Louis Valle works on a mural of Justice Ruth Bader Ginsburg on a building at 12th and Jackson. Photo courtesy: Telegraph Herald]]		[[File:ginsburg.png\|250px\|thumb\|right\|Louis Valle works on a mural of Justice Ruth Bader Ginsburg on a building at 12th and Jackson. Photo courtesy: Telegraph Herald]]
	[[File:BG.jpg\|250px\|thumb\|left\|Wall of the Boys and Girls Club]]		[[File:BG.jpg\|250px\|thumb\|left\|Wall of the Boys and Girls Club]]
	[[File:truvalue.~~jpg~~\|250px\|thumb\|left\|True Value on south Locust]]		[[File:truvalue.png\|250px\|thumb\|left\|True Value on south Locust]]
	[[File:16.jpeg\|250px\|thumb\|right\|Replaced buffalo mural mentioned previously]]		[[File:16.jpeg\|250px\|thumb\|right\|Replaced buffalo mural mentioned previously]]
	[[File:four.jpeg\|250px\|thumb\|left\|Alley near 9th and Central]]		[[File:four.jpeg\|250px\|thumb\|left\|Alley near 9th and Central]]

Randylyon at 19:21, 6 October 2023

2023-10-06T19:21:05Z

← Older revision		Revision as of 19:21, 6 October 2023
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	[[File:ginsburg.png\|250px\|thumb\|right\|Louis Valle works on a mural of Justice Ruth Bader Ginsburg on a building at 12th and Jackson. Photo courtesy: Telegraph Herald]]		[[File:ginsburg.png\|250px\|thumb\|right\|Louis Valle works on a mural of Justice Ruth Bader Ginsburg on a building at 12th and Jackson. Photo courtesy: Telegraph Herald]]
	[[File:BG.jpg\|250px\|thumb\|left\|Wall of the Boys and Girls Club]]		[[File:BG.jpg\|250px\|thumb\|left\|Wall of the Boys and Girls Club]]
			[[File:truvalue.jpg\|250px\|thumb\|left\|True Value on south Locust]]
	[[File:16.jpeg\|250px\|thumb\|right\|Replaced buffalo mural mentioned previously]]		[[File:16.jpeg\|250px\|thumb\|right\|Replaced buffalo mural mentioned previously]]
	[[File:four.jpeg\|250px\|thumb\|left\|Alley near 9th and Central]]		[[File:four.jpeg\|250px\|thumb\|left\|Alley near 9th and Central]]

Randylyon at 15:52, 31 May 2023

2023-05-31T15:52:02Z

← Older revision		Revision as of 15:52, 31 May 2023
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	[[File:mural7.JPG\|250px\|thumb\|left\|Near Telegraph Herald building]]		[[File:mural7.JPG\|250px\|thumb\|left\|Near Telegraph Herald building]]
	[[File:mural8.JPG\|250px\|thumb\|right\|Alley at the south end of the Historic Millwork District]]		[[File:mural8.JPG\|250px\|thumb\|right\|Alley at the south end of the Historic Millwork District]]
	[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]		[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]
	[[File:mural10.JPG\|250px\|thumb\|left\|Near the Historic Millwork District in an alley]]		[[File:mural10.JPG\|250px\|thumb\|left\|Near the Historic Millwork District in an alley]]

← Older revision		Revision as of 04:02, 29 December 2023
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	[[File:mural8.JPG\|250px\|thumb\|right\|Alley at the south end of the Historic Millwork District]]		[[File:mural8.JPG\|250px\|thumb\|right\|Alley at the south end of the Historic Millwork District]]
	[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]		[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]
	[[File:mural10.JPG\|250px\|thumb\|~~left~~\|Near the Historic Millwork District in an alley]]		[[File:mural10.JPG\|250px\|thumb\|right\|Near the Historic Millwork District in an alley]]
	[[File:mural11.PNG\|250px\|thumb\|left\|Painted on the American Legion building.]]		[[File:mural11.PNG\|250px\|thumb\|left\|Painted on the American Legion building.]]

← Older revision		Revision as of 19:22, 6 October 2023
Line 49:		Line 49:
	[[File:ginsburg.png\|250px\|thumb\|right\|Louis Valle works on a mural of Justice Ruth Bader Ginsburg on a building at 12th and Jackson. Photo courtesy: Telegraph Herald]]		[[File:ginsburg.png\|250px\|thumb\|right\|Louis Valle works on a mural of Justice Ruth Bader Ginsburg on a building at 12th and Jackson. Photo courtesy: Telegraph Herald]]
	[[File:BG.jpg\|250px\|thumb\|left\|Wall of the Boys and Girls Club]]		[[File:BG.jpg\|250px\|thumb\|left\|Wall of the Boys and Girls Club]]
	[[File:truvalue.~~jpg~~\|250px\|thumb\|left\|True Value on south Locust]]		[[File:truvalue.png\|250px\|thumb\|left\|True Value on south Locust]]
	[[File:16.jpeg\|250px\|thumb\|right\|Replaced buffalo mural mentioned previously]]		[[File:16.jpeg\|250px\|thumb\|right\|Replaced buffalo mural mentioned previously]]
	[[File:four.jpeg\|250px\|thumb\|left\|Alley near 9th and Central]]		[[File:four.jpeg\|250px\|thumb\|left\|Alley near 9th and Central]]

← Older revision		Revision as of 19:21, 6 October 2023
Line 49:		Line 49:
	[[File:ginsburg.png\|250px\|thumb\|right\|Louis Valle works on a mural of Justice Ruth Bader Ginsburg on a building at 12th and Jackson. Photo courtesy: Telegraph Herald]]		[[File:ginsburg.png\|250px\|thumb\|right\|Louis Valle works on a mural of Justice Ruth Bader Ginsburg on a building at 12th and Jackson. Photo courtesy: Telegraph Herald]]
	[[File:BG.jpg\|250px\|thumb\|left\|Wall of the Boys and Girls Club]]		[[File:BG.jpg\|250px\|thumb\|left\|Wall of the Boys and Girls Club]]
			[[File:truvalue.jpg\|250px\|thumb\|left\|True Value on south Locust]]
	[[File:16.jpeg\|250px\|thumb\|right\|Replaced buffalo mural mentioned previously]]		[[File:16.jpeg\|250px\|thumb\|right\|Replaced buffalo mural mentioned previously]]
	[[File:four.jpeg\|250px\|thumb\|left\|Alley near 9th and Central]]		[[File:four.jpeg\|250px\|thumb\|left\|Alley near 9th and Central]]

← Older revision		Revision as of 15:52, 31 May 2023
Line 54:		Line 54:
	[[File:mural7.JPG\|250px\|thumb\|left\|Near Telegraph Herald building]]		[[File:mural7.JPG\|250px\|thumb\|left\|Near Telegraph Herald building]]
	[[File:mural8.JPG\|250px\|thumb\|right\|Alley at the south end of the Historic Millwork District]]		[[File:mural8.JPG\|250px\|thumb\|right\|Alley at the south end of the Historic Millwork District]]
	[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]		[[File:mural9.JPG\|250px\|thumb\|left\|Alley near the courthouse]]
	[[File:mural10.JPG\|250px\|thumb\|left\|Near the Historic Millwork District in an alley]]		[[File:mural10.JPG\|250px\|thumb\|left\|Near the Historic Millwork District in an alley]]